Justyna Zanko and Francois Pineau - Benois Captivate Audience in Polish - French Collaboration at XXVII Classics in the Crown Concert in Lublin

LUBLIN, POLAND — Internationally recognized Polish violinist Justyna Zańko shared the stage with French violinist François Pineau-Benois for a standout performance at the XXVII Concert of Klasyka w Koronie (Classics in the Crown) on Saturday, April 11, 2026, delivering a program that audiences described as one of the most remarkable musical events in recent memory.

 

Presented in Lublin through Virtuoso Music Foundation (Fundacja Muzyczna Virtuoso), the concert was held under the Honorary Patronage of Krzysztof Komorski and Jarosław Stawiarski, with media patronage from Radio Lublin.

 

The program showcased two virtuosic voices in dynamic conversation, featuring selections from Niccolò Paganini’s Caprices, Op. 1, selections from Henryk Wieniawski’s Caprices, Op. 10, and Jean-Marie Leclair’s Sonata for Two Violins No. 6, Op. 3.

 

The evening highlighted a compelling artistic dialogue between Polish and French musical traditions. Audience members praised the performance for its technical brilliance, expressive depth, and the chemistry between the two artists, describing the concert as “outstanding,” “breathtaking,” and performed at the “highest artistic and organizational level.”

 

The evening highlighted a compelling artistic dialogue between Polish and French musical traditions. Audience members praised the performance for its technical brilliance, expressive depth, and the chemistry between the two artists, describing the concert as “outstanding,” “breathtaking,” and performed at the “highest artistic and organizational level.”

 

Following the performance, audience feedback reflected the emotional impact of the evening:

 

 “Please continue performing together — this was truly something special.”

 

“The artistry and grace you created were a true spiritual feast for us... it was a meeting with true masters of the violin.”

 

“Thank you. It was a beautiful evening... I look forward to the next concerts.”

 

For Justyna, the performance further reinforced her growing international profile as both an artist and cultural leader. She has appeared at major venues including Carnegie Hall, Royal Albert Hall, Mozarteum, and Beethoven House, while also serving as Artistic Director of VirtuClassic and President of the Virtuoso Music Foundation.

 

Through both her performance career and her leadership initiatives, Justyna Zańko continues to build platforms that expand access to classical music while creating meaningful international artistic collaborations.

 

The success of this performance marks another significant chapter in the careers of both Justyna Zańko and François Pineau-Benois—and signals growing demand for performances that combine technical excellence with genuine artistic connection.

 

For media inquiries, performance opportunities, and collaborations for Justyna Zańko:
Eva Artistic Management
eva@evaartisticmanagement.com 

Jamie Reeves Opens Montgomery Symphony’s 50th Anniversary Season with Yo-Yo Ma

Jamie Reeves Opens Landmark Season in Collaboration with Yo-Yo Ma

MONTGOMERY, AL — Jamie Reeves will lead the opening concert of Montgomery Symphony Orchestra’s 50th Anniversary Season on Sunday, September 20 at 3:00 p.m. at Davis Theatre for the Performing Arts, joined by internationally acclaimed cellist Yo-Yo Ma for one of the orchestra’s most anticipated performances in recent years.

 

A 20-time Grammy Award winner, Presidential Medal of Freedom recipient, United Nations Messenger of Peace, and founder of Silkroad, Yo-Yo Ma remains one of the most influential artists in classical music. His discography includes more than 120 albums, from landmark recordings of the classical canon to genre-defying collaborations such as Goat Rodeo Sessions with Chris Thile, Edgar Meyer, and Stuart Duncan. Through initiatives including the Bach Project and Our Common Nature, Yo-Yo Ma has continued expanding classical music’s role in cultural dialogue worldwide.

 

The opening program reflects the artistic direction Jamie Reeves has cultivated in Montgomery—balancing contemporary voices with cornerstone repertoire. The concert opens with Carlos Simon’s The Block, followed by Aaron Copland’s Appalachian Spring Suite. Following intermission, Yo-Yo Ma joins Jamie Reeves and the Montgomery Symphony Orchestra for Antonín Dvořák’s Cello Concerto in B Minor.

 

The performance launches a milestone season celebrating five decades of artistic excellence in Alabama’s River Region. The anniversary season will feature internationally recognized guest artists, a four-concert Masterworks series, a world premiere commission, a concert presentation of La Bohème by Giacomo Puccini, and a season finale featuring pianist Joyce Yang performing Beethoven’s Piano Concerto No. 5 'Emperor'.

 

Since his appointment as Music Director in the 2021–2022 season, Jamie Reeves has led a period of notable artistic momentum for the Montgomery Symphony Orchestra through ambitious programming, high-profile collaborations, and community-focused initiatives. His Alabama Composers Project has brought new works connected to the state’s cultural history to the stage, including the recent world premiere of A Time for Jubilee by Nkeiru Okoye commemorating the 60th anniversary of the Selma to Montgomery March.

 

"Our 50th anniversary season celebrates all we´ve accomplished over five decades and looks ahead as we bring world-class symphonic experiences to the River Region," said Jamie Reeves. "Sharing the stage with Yo-Yo Ma for our season opener is a profound honor that will inspire our community and elevate the future of music-making in Montgomery.”

 

Beyond Montgomery, Jamie Reeves continues to expand his national profile through guest engagements with the Chattanooga Symphony & Opera, Louisiana Philharmonic Orchestra, New Mexico Philharmonic, and Omaha Symphony, in addition to past cover conducting engagements with the New York Philharmonic and the Los Angeles Philharmonic at the Hollywood Bowl.

 

Tickets are now on sale. Principal Sponsor: The James E. Klingler Family.

 

For media inquiries, guest conducting engagements, and programming collaborations for Jamie Reeves:
Eva Artistic Management

eva@evaartisticmanagement.com

Reviving the Ladino Tradition Through Flamenco and Contemporary Performance

FOR IMMEDIATE RELEASE

April 10th, 2026 - Eva Artistic Management (EAM) is pleased to introduce Ladino vocalist René Benjamín, an emerging artist whose work bridges cultural preservation and contemporary performance through a distinctive and deeply personal artistic voice.

Positioned at the intersection of memory and reinvention, Benjamín brings renewed life to the ancient language of Ladino, intertwining it with the expressive intensity of flamenco. As one of the few young artists dedicated to this tradition, she represents a rare and vital continuation of a cultural heritage at risk of fading.

Her artistic development has been shaped through close mentorship with leading figures in the Ladino tradition, including internationally acclaimed vocalist Yasmin Levy. Alongside this foundation, her ongoing immersion in flamenco—as both a musical form and emotional language—has informed a performance style that is at once intimate, refined, and deeply rooted in tradition.

Rather than approaching Ladino as a static historical form, Benjamín reimagines it as a living, evolving language. Through her work, she revives lesser-known repertoire and places it within a contemporary, cross-cultural context, allowing it to resonate with modern audiences while preserving its historical depth and authenticity.

At the core of her artistry is a strong narrative sensibility. Each performance unfolds as a carefully constructed journey, where voice, silence, and emotion are intricately woven together. Her distinctive vocal timbre, combined with a thoughtfully curated visual aesthetic, creates an atmosphere that feels both timeless and strikingly personal.

Benjamín’s performances have introduced Ladino to new audiences through intimate concert settings and cultural presentations, offering listeners a rare encounter with a nearly lost musical world—one that, through her interpretation, feels immediate and alive.

At a time when Ladino stands on the edge of disappearance, René Benjamín emerges as a compelling young voice carrying both artistic refinement and cultural urgency. Her work positions her as a distinctive presence within the European and international music landscape.

View Rene´s’s artist page here:
Rene Benjamin Ladino Vocalist

Grammy-nominated violinist, Charlene Kluegel, classical violin soloist, contemporary violin repertoire

Grammy-Nominated Violinist Charlene Kluegel Joins Eva Artistic Management Roster

Internationally active soloist and chamber musician recognized for her versatility, global presence, and commitment to contemporary repertoire

Chicago, April 6th, 2026 — Eva Artistic Management (EAM) is pleased to announce the addition of Grammy-nominated violinist Charlene Kluegel to its international roster, continuing the agency’s expansion with artists who demonstrate both artistic distinction and a forward-thinking presence within today’s classical music landscape.

 

Hailed for her “unsentimental verve, musical feeling and great technical skill” by New York Classical Review, Kluegel has established a multifaceted career as a soloist and chamber musician, performing across modern and Baroque violin repertoire as well as contemporary works. Fluent in four languages and having lived on three continents, she maintains an international career collaborating with musicians throughout Europe and the United States.

 

Her performances have taken her to leading venues including the John F. Kennedy Center for the Performing Arts, the Musikverein, Tonhalle Zurich, and Chicago Symphony Hall, as well as the Strathmore and Orchestra Hall Detroit. She has also appeared at major festivals including the Ravinia Festival and Aspen Music Festival, as well as programs at the Banff Centre for Arts and Creativity and the Mozarteum Salzburg.

 

As a concerto soloist, Kluegel has appeared with ensembles including the Baltimore Baroque Band, Cornell Symphony Orchestra, Meilemer Symphony Orchestra, and the Carthage Philharmonic. Recent and upcoming engagements include Beethoven’s Violin Concerto, Beethoven’s Triple Concerto, and Kurt Weill’s Violin Concerto, reflecting a repertoire that bridges core works with distinctive programming.

 

A dedicated chamber musician, Kluegel served for seven years as first violinist of the Chicago-based Fifth House Ensemble and is co-founder of Duo FAE. Her recording work includes participation in the Grammy-nominated album Canto America (Best Latin Jazz Album), as well as a 2025 Albany Records release featuring music by suffragette composers.

 

An advocate for contemporary music, Kluegel has premiered works by composers including Dan Visconti, Julia Adolphe, Steven Snowden, and Stacy Garrop, and continues to commission and perform new repertoire. Upcoming projects include a recording of contemporary works for scordatura solo violin.

In addition to her performing career, Kluegel is an active educator who has presented masterclasses and residencies at institutions including the Eastman School of Music, Northwestern University, the University of Texas at Austin, and the McDuffie Center for Strings. She currently serves on the faculty of Carthage College and the Mostly Modern Festival.

 

“Charlene brings a rare combination of versatility, intellectual depth, and artistic curiosity to her work,” says Eva Adolfo, CEO of Eva Artistic Management. “Her ability to move seamlessly between historical and contemporary repertoire, combined with her international presence, reflects the kind of multidimensional artistry we are proud to represent.”

 

Kluegel holds degrees from Cornell University, the Peabody Institute, and the Indiana University Jacobs School of Music, where she earned her Doctor of Music as a recipient of the Artistic Excellence Award. She performs on a 1780 violin by Antonio Gragnani and is an artist sponsored by Larsen Strings.

With this addition, Eva Artistic Management continues to build a roster of artists contributing to the evolving global classical landscape through distinctive programming, cross-cultural engagement, and meaningful artistic work.

View Charlene Kluegel’s artist page here:
Charlene Kluegel | Violinist & Recording Artist

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Conductor Jamie Reeves Joins the Roster of Eva Artistic Management

FOR IMMEDIATE RELEASE

Conductor Jamie Reeves Joins the Roster of Eva Artistic Management

Montgomery, AL — March 2026 — Eva Artistic Management (EAM) is pleased to announce the addition of conductor Jamie Reeves to its international roster of distinguished artists.

Reeves currently serves as Music Director of the Montgomery Symphony Orchestra, where he has led a period of notable artistic expansion since the 2021–2022 season. His leadership is defined by ambitious, thoughtfully curated programming, collaborations with leading soloists, and a sustained commitment to elevating contemporary American voices within the symphonic landscape.

In parallel with his work in Montgomery, Reeves continues to build a growing national presence. Recent and upcoming guest engagements include the Chattanooga Symphony, Louisiana Philharmonic, New Mexico Philharmonic, and Omaha Symphony. He has also served as cover conductor with the New York Philharmonic and the Los Angeles Philharmonic at the Hollywood Bowl, reflecting his increasing visibility within major U.S. orchestral institutions.

A central pillar of Reeves’s artistic identity is his advocacy for new music and culturally resonant programming. He is the creator of the Alabama Composers Project, a multi-season commissioning initiative highlighting composers connected to Alabama’s cultural and historical legacy. In 2025, he appointed acclaimed composer Nkeiru Okoye as the inaugural William Levi Dawson Composer-in-Residence. This collaboration culminated in the February 2026 world premiere of A Time for Jubilee, a choral-orchestral work commemorating the 60th anniversary of the Selma to Montgomery March—an example of Reeves’s commitment to programming that is both artistically compelling and socially meaningful.

Reeves has collaborated with an array of distinguished soloists including Jeffrey Biegel, Geneva Lewis, Laquita Mitchell, Evren Ozel, Natasha Paremski, and Santiago Cañón-Valencia. His work also bridges symphonic traditions with broader audiences through innovative initiatives such as film-in-concert productions and educational programming, including Mason Bates’s Philharmonia Fantastique and participation in Carnegie Hall’s Link Up program.

His artistic development includes participation in leading international conducting programs such as the Lucerne Festival Masterclass with Bernard Haitink, the Cabrillo Festival of Contemporary Music with Cristian Măcelaru, and masterclasses with the Baltimore Symphony Orchestra under Marin Alsop. He has been recognized as a finalist in both the Grzegorz Fitelberg and Besançon International Conducting Competitions.

Reeves holds conducting degrees from the Indiana University Jacobs School of Music and the Peabody Conservatory of Johns Hopkins University, where he studied with Marin Alsop, David Effron, Arthur Fagen, John Ratledge, and Joseph Young.

 

View Jamie Reeves´ Artist Page on the Elite Global Roster.

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Conductor Libi Lebel Returns to Brazil for Goiânia Symphony Orchestra Performances

Conductor Libi Lebel Returns to Brazil for Performances with the Goiânia Symphony Orchestra

FOR IMMEDIATE RELEASE

 

Conductor Libi Lebel Returns to Brazil for Performances with the Goiânia Symphony Orchestra

 

Goiânia, Brazil — March 2026 — Conductor Libi Lebel, Artistic Director of the Texas Medical Center Orchestra (TMCO), returns to Brazil this season to lead the Goiânia Symphony Orchestra in two distinguished performances, further reinforcing her international activity and commitment to thoughtful, repertoire-driven programming. The first concert took place on March 20, 2026, in recognition of International Women’s Day, featuring an all-French program centered on the Brazilian and South American premiere of Symphony “The Great War” by French composer Charlotte Sohy (1887–1955). Composed during the years surrounding World War I, Sohy’s symphony is a deeply expressive and historically significant work that remained largely unheard for decades. Its recent revival has brought renewed attention to a composer whose voice was long absent from the concert stage. This performance marked an important milestone in the work’s international reach and reflected Lebel’s ongoing artistic focus on presenting compelling and underrepresented repertoire. The performance was met with strong audience response and critical reflection. One review noted Lebel’s leadership as defined by “rigor, sensitivity, and a strength that did not impose itself — it revealed itself,” highlighting her ability to shape both the musical and collaborative energy of the performance. The concert, which featured works by Lili Boulanger and Charlotte Sohy, was described as both an artistic and cultural statement, culminating in a standing ovation. “I was honored to return to Brazil and collaborate again with the Goiânia Symphony Orchestra,” said Lebel. “Presenting Charlotte Sohy’s symphony to audiences in Brazil and across South America was especially meaningful as we recognize the contributions and legacy of women in music.” Lebel will return to Goiânia on August 9, 2026, for a second engagement leading an all-Russian program featuring Modest Mussorgsky’s Pictures at an Exhibition, Sergei Rachmaninoff’s Piano Concerto No. 3, and Mikhail Glinka’s Overture to Ruslan and Ludmila. These engagements reinforce Lebel’s growing international profile as a guest conductor and her ability to shape programs that balance audience familiarity with thoughtful artistic perspective. About Libi Lebel Libi Lebel is a conductor, educator, and Artistic Director of the Texas Medical Center Orchestra (TMCO). Known for her leadership in innovative and community-centered programming, she has developed projects that connect music with broader cultural and interdisciplinary themes. She has appeared as a guest conductor with ensembles across Europe and South America and is recognized for her ability to bring clarity, structure, and expressive depth to both standard and lesser-performed repertoire.

 

Click here to view her artist´s page and watch her conduct.

Media Contact

eva@evaartisticmanagement.com

Conductor Libi Lebel leads the Goiânia Symphony Orchestra in Brazil, featuring a Charlotte Sohy premiere and upcoming 2026 pe
Goiânia Symphony Orchestra, Charlotte Sohy symphony, women composers classical music
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International conductor Libi Lebel returns to Brazil, leading the Goiânia Symphony Orchestra in a Charlotte Sohy premiere and

Polish Violinist Justyna Zańko Makes Acclaimed Oxford Debut with Solo Recital

FOR IMMEDIATE RELEASE

 

Polish Violinist Justyna Zańko Makes Acclaimed Oxford Debut with Solo Recital

 

OXFORD, UK — March 7, 2026 — Polish violinist Justyna Zańko made a compelling Oxford debut with her first solo violin recital at Holy Trinity Church, Headington Quarry, presenting a program of striking range and technical depth that drew enthusiastic praise from critics and audiences alike.

 

The recital featured a demanding and stylistically diverse program for solo violin, including Heinrich Ignaz Franz von Biber’s Passacaglia in G minor (“The Guardian Angel”), Johann Sebastian Bach’s Partita No. 3 in E Major, BWV 1006, Niccolò Paganini’s Caprice No. 13, Op. 1, Eugène Ysaÿe’s Sonata No. 4 in E minor, Op. 27, and Henryk Wieniawski’s Le Chant du Bivouac, Op. 10 No. 8.

 

According to a review published by Oxford Prospect Arts, the program offered “immense variety and contrast,” highlighting Zańko’s ability to move fluidly between introspective lyricism and virtuosic brilliance.

 

The performance opened with Biber’s Passacaglia, where “the audience was captivated at once by the sonorous tones of the opening notes,” setting the tone for a recital that sustained both intensity and nuance throughout. Critics further praised “the energy and virtuosity of her performance,” as well as her “adventurous, extrovert approach” to the instrument.

 

The recital concluded with Wieniawski’s Le Chant du Bivouac, a work rooted in the cultural and historical context of World War I, delivered with expressive depth and technical command.

 

Audience response was immediate and enthusiastic, with the review noting: “We hope there will be more opportunities to hear her play in Oxford.”

This successful debut marks an important milestone in Zańko’s growing international presence, further establishing her as a violinist of distinctive artistic voice—one who combines refined musical sensitivity with bold interpretive character.

Read the full review:
https://www.oxfordprospectarts.com/articles/violinist-justyna-zanko-solo-recital

Media Contact:
Eva Artistic Management
eva@evaartisticmanagement.com
 

Violinist Katy Smith returned as soloist with Herts Philharmonia performing Lalo’s Symphonie Espagnole under conductor Sam Sc

Violinist Katy Smith Returned to Herts Philharmonia as Soloist in Lalo’s Symphonie Espagnole

FOR IMMEDIATE RELEASE

 

Violinist Katy Smith Returned to Herts Philharmonia as Soloist in Lalo’s Symphonie Espagnole

Hertfordshire, UK — March 7, 2026 — Violinist Katy Smith returned as featured soloist with Herts Philharmonia on Saturday, March 7, 2026 at 2:30 PM, performing Édouard Lalo’s virtuosic Symphonie Espagnole under the baton of conductor Sam Scheer.

 

Smith’s return engagement followed her successful appearance with the orchestra in October 2024, where she performed the Elgar Violin Concerto. The invitation to collaborate again with Herts Philharmonia reflected the strong artistic rapport established during that performance and the orchestra’s continued enthusiasm for Smith’s compelling interpretive voice.

 

Represented on the roster of Eva Artistic Management, Smith continues to build an international profile through concerto performances and collaborations with orchestras across the United Kingdom and beyond.

 

Widely admired for her expressive depth and commanding technique, Smith brought both brilliance and elegance to Lalo’s celebrated concerto, a work known for its vibrant Spanish character, lyrical intensity, and dazzling violin writing.

 

The performance also marked a personal milestone for the violinist. Although Smith first performed the concerto as a child prodigy at the age of ten, this concert represented the first time she performed all five movements of the work in a full concert performance.

 

The March program also marked Smith’s first collaboration with conductor Sam Scheer, offering audiences a dynamic new artistic partnership between soloist and orchestra. The performance was met with an enthusiastic audience response, further affirming Smith’s growing presence as a compelling concerto soloist.

 

Read more about Katy Smith on her official artist page of the elite global roster. Click here. 

About Eva Artistic Management

Eva Artistic Management (EAM) is a boutique classical music agency representing conductors, composers, and classical musicians worldwide. The agency specializes in strategic career development, helping artists strengthen their visibility, credibility, and professional positioning within the international classical music landscape.

 

Through a combination of industry relationships, professional branding, media strategy, and long-term career planning, Eva Artistic Management supports artists in building sustainable and meaningful careers — going beyond traditional management models focused solely on bookings.

Violinist Katy Smith is represented on the Eva Artistic Management roster.

 

EAM works with a global network of orchestras, presenters, and cultural organizations while guiding artists in developing the public presence and strategic positioning required to thrive in today’s evolving classical music industry.

Media Contact

Eva Adolfo

eva@evaartisticmanagement.com

FOR IMMEDIATE RELEASE Grammy-Nominated Violinist Dylana Jenson Performs Sibelius Violin Concerto with the Massapequa Philhar

Grammy-Nominated Violinist Dylana Jenson Performs Sibelius Violin Concerto with the Massapequa Philharmonic

Massapequa, NY — March 15, 2026 — The Massapequa Philharmonic Orchestra, led by Music Director David Bernard, will present an afternoon of extraordinary orchestral music on Sunday, March 15, 2026 at 3:00 PM at Berner Auditorium, featuring Grammy-nominated violinist Dylana Jenson as soloist in Jean Sibelius’s Violin Concerto, one of the most powerful and beloved works in the violin repertoire.

 

Internationally celebrated for her commanding technique and deeply expressive artistry, Jenson first rose to international prominence when she won the Silver Medal at the International Tchaikovsky Competition in Moscow, becoming both the youngest competitor ever and the first American woman to receive the honor. The historic achievement launched a distinguished international career spanning more than five decades.

 

Her acclaimed recording of the Sibelius Violin Concerto with the Philadelphia Orchestra conducted by Eugene Ormandy earned a Grammy Award nomination, establishing Jenson as one of the most compelling interpreters of the work. The recording remains widely admired for its emotional intensity, virtuosity, and musical insight.

 

Over the course of her career, Jenson has appeared as soloist with many of the world’s leading orchestras, including the New York Philharmonic, Philadelphia Orchestra, Los Angeles Philharmonic, Cleveland Orchestra, and San Francisco Symphony, as well as major orchestras throughout Europe, Australia, and the Americas.

 

A protégé of legendary violin masters Nathan Milstein, Josef Gingold, Dorothy DeLay, and Isaac Stern, Jenson carries forward one of the great violin traditions of the twentieth century. In addition to her international performing career, she has devoted significant energy to mentoring the next generation of musicians through university teaching and masterclasses around the world.

 

Jenson has served as Distinguished Professor at Grand Valley State University and most recently as Visiting Associate Professor of the Practice in Violin and Viola at the University of Notre Dame. She is also the founder of the String Academy of Grand Rapids, an intensive training program for young violinists that has guided dozens of students toward advanced musical study and professional performance.

 

The Sibelius Violin Concerto is widely regarded as one of the most dramatic and technically demanding concertos in the violin repertoire, combining sweeping Nordic lyricism with dazzling virtuosity. Jenson’s long association with the concerto brings rare authority and insight to this performance.

 

Under the direction of Music Director David Bernard, the Massapequa Philharmonic, Resident Orchestra of Tilles Center for the Performing Arts, presents vibrant orchestral performances for Long Island audiences and serves as a cultural leader in the region through artistic excellence, education, and community engagement.

This program features acclaimed violinist Dylana Jenson performing her signature concerto, alongside Stravinsky’s engaging Pulcinella Suite and Antonín Dvořák’s beautiful and radiant Symphony No. 8—an unforgettable afternoon of music-making.

 

The performance takes place Sunday, March 15, 2026 at 3:00 PM at Berner Auditorium.

Tickets are available online via Eventbrite:
https://www.eventbrite.com/e/sibelius-with-dylana-jenson-tickets-1407553072129

 

Tickets will also be available at the door.

 

50 Carman Mill Road, Massapequa, NY (Berner Auditorium)

 

MEDIA INQUIRIES: eva@evaartisticmanagement.com

 
Frederick Blanchard conducting debut, Frederick Blanchard Space Coast Symphony Orchestra,

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Dylana Jenson and Libor Ondras will perform Max Bruch’s Double Concerto for Violin and Viola in E minor with David Lockington
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Conductor David Lockington conducts Altschular Summer Music Institute for orchestra and chamber music in Rimini, Italy.
Conductor David Lockington conducts Altschular Summer Music Institute for orchestra and chamber music in Rimini, Italy.
Dylana Jenson solo violinist professor Notre Dame performing classical music artist.
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